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      <image:title>All events - POST-ECOSYSTEM - Mach es besonders</image:title>
      <image:caption>Was auch immer es ist – die Art und Weise, wie du deine Geschichte online vermittelst, kann einen gewaltigen Unterschied ausmachen.</image:caption>
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      <image:title>All events - The Ghosts Are Returning - Mach es besonders</image:title>
      <image:caption>Was auch immer es ist – die Art und Weise, wie du deine Geschichte online vermittelst, kann einen gewaltigen Unterschied ausmachen.</image:caption>
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  <url>
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    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-22</lastmod>
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  <url>
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    <changefreq>monthly</changefreq>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/5f2149ed-523f-4d49-ae9b-1c1abe11eb9d/015_BLS_28-29giu_Boccaccino_BOC5779.jpg</image:loc>
      <image:title>f_bio - Eva-Maria Bertschy</image:title>
      <image:caption>travaille comme dramaturge, metteuse en scène et autrice de théâtre indépendante. Depuis 2012, elle conçoit et réalise des projets de théâtre et de films documentaires internationaux avec le metteur en scène suisse Milo Rau et l'IIPM. Parallèlement, elle a régulièrement collaboré avec le metteur en scène berlinois Ersan Mondtag. En 2021, elle a fondé le GROUP50:50 avec le musicien suisse Elia Rediger, la chorégraphe congolaise Dorine Mokha et le conservateur Patrick Mudekereza. Avec ce collectif congolais-suisse, elle a développé un projet politique en plusieurs parties comprenant les deux pièces de théâtre musical The Ghosts Are Returning et Ecosystem ainsi que la série de débats The Time For Denial Is Over. Il y a cinq ans, elle s'est installée à Palerme, où elle a cofondé la Fondazione Studio Rizoma, une structure de production pour des projets politiques et artistiques transnationaux basée à Palerme. Avec l'équipe de Rizoma, elle a co-organisé trois éditions du festival Between Land and Sea, qui se tient depuis 2021 à Palerme ainsi que dans les deux villes portuaires de Tunis et Brême. En 2024, elle a réalisé sa première pièce solo, Fremde Seelen / Âmes étrangères, avec laquelle elle est revenue en Suisse.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.group5050.net/f-bio/kojackkossakamvwe-j53my</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/35574527-703d-4f64-ad4c-afe3189a1323/Kojack.jpg</image:loc>
      <image:title>f_bio - Kojack Kossakamvwe</image:title>
      <image:caption>a joué dans de nombreux groupes et projets avec les stars de la scène musicale congolaise, notamment Kwata Vibra (1998), Wenge Musica Maison Mère (2000-2003) et en tant que directeur musical avec Papa Wemba pour La passion du maître (2015). Il s'est produit sur scène dans le cadre de nombreux projets musicaux d'envergure tels que Losangania Project (2009) et Basali ya buzoba (2010) et a participé à des tournées avec Elie Kamano et Maryse Ngalula pour Visas pour la création (2013) et Franco na biso (2014). De 2018 à 2020, il a fait le tour du monde avec Requiem Pour L. – sous la direction de Fabrizio Cassol et Alain Platel – en compagnie de musicien·ne·s des cinq continents. En 2019, il a fait partie de la distribution de Herkules von Lubumbashi – Ein Minenoratorium. Depuis 2021, il est codirecteur musical du GROUP50:50 et des deux productions de théâtre musical The Ghosts are Returning (2022-2023) et Ecosystem (2023-2025). En janvier 2024, il sera sur scène en tant que guitariste dans la mise en scène de l'opéra Justice du metteur en scène suisse Milo Rau au Grand Théâtre de Genève et à St. Pölten. Parallèlement, il travaille comme directeur musical avec la metteuse en scène suisse Eva-Maria Bertschy sur sa mise en scène Fremde Seelen. Kojack Kossakamvwe s'est également produit en tant que musicien lors des Leipziger Jazztage, du Jazzfestival Moers et du Bee-Flat Bern.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.group5050.net/f-bio/patrickmudekereza-7k7le</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/ffe6f83f-80ee-47de-82c4-e6c8683f131b/_A7R5790.jpeg</image:loc>
      <image:title>f_bio - Patrick Mudekereza</image:title>
      <image:caption>Patrick Mudekereza est écrivain et commissaire d'exposition. Il est le fondateur et le directeur artistique du Centre d'art Waza, un centre d'art indépendant unique en son genre situé à Lubumbashi. Il a cofondé et dirigé les trois premières éditions des Rencontres Picha, Biennale de Lubumbashi (2008-2015). Il a participé à la création et a siégé au conseil d'administration de l'International Biennial Association. Il a été commissaire d'expositions telles que "Prise de Terre" (partie de GEOgraphics, Bozar, 2010), "Close Openings/Vernissage Fugaces" (Différents lieux à Lubumbashi, 2011), "Mining Lubum" (VANSA, Johannesburg, 2015), "Silimuka" (partie du projet ChinAfrika under construction, Museum für Gegenwartskunst GfZK Leipzig, 2017), "Aire d'oiseaux imaginaires" (Biennale du Congo à Kinshasa, 2019, et Bogardenkapel Brugge, 2019). Le projet etla publication qui l'accompagne, "Revolution Room" (2013-2016), ont été récompensés par l'African Architecture Award dans la catégorie Critical Dialogue (Zeitz MOCAA, Le Cap, 2017). En 2016, il a reçu le prix national congolais des arts et de la culture et, en 2017, la médaille Art Lettre et Sciences. Il enseigne dans les universités de Lubumbashi et de Witwatersrand.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.group5050.net/f-bio/eliarediger-ahzwl</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/ba315f8f-ed1a-4066-b6fc-7ad867c29816/DSC_3038_websize.jpg</image:loc>
      <image:title>f_bio - Elia Rediger</image:title>
      <image:caption>né en 1985 à Kinshasa/République démocratique du Congo, est un artiste, compositeur, dramaturge et chanteur suisse qui a beaucoup voyagé. Outre des compositions pour orchestre ("Oh Albert", 2016, Bâle), il a été auteur maison au Konzerttheater Bern (2016/2017), leader du groupe pop The bianca Story et de l'orchestre big band Brigade Futur 3. "Hercule de Lubumbashi -un oratoire des mines" était sa deuxième collaboration avec le chorégraphe congolais Dorine Mokha après la pièce de théâtre "Oh Boyoma -387 strophes sur une ville oubliée" (KonzertTheaterBern 2017). En 2020, Mokha/Rediger ont fondé le Group50:50 avec le curateur congolais Patrick Mudekereza et la dramaturge suisse Eva-Maria Bertschy. Après le décès soudain de Dorine Mokha, ils ont décidé de poursuivre la mission du Group50:50 et se sont associés à Christiana Tabaro et Michael Disanka pour une nouvelle production</image:caption>
    </image:image>
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  <url>
    <loc>https://www.group5050.net/f-bio/christianatabaro-a4cs7</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/dbbb97d2-eaa2-4510-bde1-3e0a8929b46b/220922_group50_50_019_5239_diesner-scaled.jpg</image:loc>
      <image:title>f_bio - Christiana Tabaro - Mach es besonders</image:title>
      <image:caption>Was auch immer es ist – die Art und Weise, wie du deine Geschichte online vermittelst, kann einen gewaltigen Unterschied ausmachen.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.group5050.net/f-bio/christianatabaro-a4cs7-esa98</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/72e13919-b747-4727-a8bc-28a205f7b3f3/michael.webp</image:loc>
      <image:title>f_bio - Michael Disanka - Mach es besonders</image:title>
      <image:caption>Was auch immer es ist – die Art und Weise, wie du deine Geschichte online vermittelst, kann einen gewaltigen Unterschied ausmachen.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.group5050.net/f-bio/michaeldisanka-693xz-jhx9y</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/de81834c-9361-4fed-bb1f-7d04795c4aba/IMG_6536.jpg</image:loc>
      <image:title>f_bio - Michael Disanka</image:title>
      <image:caption>est acteur, metteur en scène et auteur. Après des études à l'Institut National des Arts de Kinshasa, il a fondé avec Christiana Tabaro leCollectif d'Artd'Art. En 2012, il a rencontré le dramaturge congolais Dieudonné Niangouna et a travaillé avec lui sur des productions théâtrales présentées notamment à Connexion Kin 2012-2013, Mantsina sur scène 2012 (Brazzaville), et Theaterformen 2013 (Hanovre). Depuis quelques années, il travaille également sur ses propres textes, notamment dans le cadre du projet "Diseurs de textes", un projet de lecture-performance. Les textes "31 mai 2012" et "La Poupoupée" ont été mis en scène par Dieudonné Niangouna en 2012. En 2021, il devient membre du Group50:50.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.group5050.net/f-bio/jospehkasau-6eg7n</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/1655325046354-JIIRX43WPP16ZXQ869YX/joseph-kasau-1-768x1068.jpg</image:loc>
      <image:title>f_bio - Joseph Kasau</image:title>
      <image:caption>Né à Lubumbashi en 1995, Joseph K. Kasau Wa Mambwe est un artiste visuel, cinéaste et auteur basé à Lubumbashi. Licencié en Sciences de l’information et de la Communication de l’Université de Lubumbashi, il a une spécialisation en Arts du Spectacle (Audiovisuel, cinéma et théâtre). Sa passion pour l’art commence très tôt dans des cinés de fortune de Lubumbashi, et se nourrit d’influences visuelles multiples qui vont se formaliser plus tard dans sa pratique artistique. Du théâtre, au cinéma en passant par la photographie et l’écriture, le parcours de Joseph Kasau se construit autour de l’envie de raconter des histoires: qu’il s’agisse d’un bout de lui ou des communautés dans lesquelles il a grandi et qu’il côtoie encore au quotidien. Sa pratique artistique se situe à l’intersection du cinéma, de l'art vidéo, de la photographie, de l'écriture créative et aborde dans son travail la complexité de la mémoire et de l'identité dans un contexte urbain postcolonial. Ses productions sont très attentives aux interactions sociales, soulignant les rapports de force et proposant des alternatives de changement et de rassemblement. Boursier de la résidence Trame 2022 de la Cité Internationale des Arts de Paris, du programme de résidence de Delfina Foundation en Angleterre sur les politiques alimentaires, du projet Tri-continental Quilombo (RDC – SUISSE – BRESIL) de 2021 à 2023 ; Joseph K. Kasau Wa Mambwe opère aussi comme Fixeur et Assistant Réalisateur au Congo pour des structures et collectifs africains et occidentaux comme Les Films de la Passerelle (Belgique), Podium Esslingen (Allemagne), le groupe 50:50 (RDC – SUISSE – Allemagne), Full Fun Productions (Belgique), Khub Création (R.D.C.). Tour à tour Coordonnateur adjoint et chargé de communication du festival Kidogo Kidogo Films (2017 – 2019), Assistant éditorial à la Biennale de Lubumbashi (2019), Assistant à la production des Ateliers Picha (2019 – 2021), Artiste et Chercheur attaché au Centre d’art Waza (2020 – 2022) ; Joseph K. Kasau Wa Mambwe travaille aussi en lien avec City Salts (Bâle – Suisse), Archives Books (Berlin – Allemagne), Musée de Tervuren (Belgique), Modzi Arts (Lusaka – Zambie), DL Multimédia et est Co-fondateur du collectif Nidjekonnexion à Lubumbashi.</image:caption>
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  </url>
  <url>
    <loc>https://www.group5050.net/f-bio/dorinemokha-9d5nb</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2025-10-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/93fa1485-3c2e-4191-b8a7-3a085762e217/dorine.webp</image:loc>
      <image:title>f_bio - Dorine Mokha (✝)</image:title>
      <image:caption>Dorine Mokha est né en 1989 à Lubumbashi, en République démocratique du Congo, et a été danseur, chorégraphe et auteur. Parallèlement à ses activités artistiques, Mokha a obtenu un diplôme en littérature et en droit. Il a notamment travaillé aux Studios Kabako, où il s'est occupé de danse contemporaine, de scénario et de mise en scène. Il a participé au festival Theaterformen à Hanovre et a reçu une bourse de l'Akademie Schloss Solitude à Stuttgart en 2014. "Hercule de Lubumbashi" était la deuxième collaboration de Mokha et Rediger après leur pièce de théâtre "Oh Boyoma" de 2017. Dorine Mokha est décédé le 8 janvier 2022 dans sa ville natale de Lubumbashi.</image:caption>
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  <url>
    <loc>https://www.group5050.net/f-bio/jbekaka-p3wnd-eaj6d-b4dm9-bg34p</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2025-10-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/40b9ae8d-00f8-4117-b51f-d458273f42d7/52835636592_c04e135e85_c.jpg</image:loc>
      <image:title>f_bio - Camille Jamet</image:title>
      <image:caption>Camille Florence Jamet est productrice créative et commissaire d’exposition. Elle a étudié la scénographie (BA) à Zurich et la théorie de l’art contemporain (MA) à Londres. Depuis 2018, elle développe et produit des projets transdisciplinaires à l’intersection de la performance, de la musique et de la culture visuelle. Elle a co-commissarié et produit Aggregates, une série d’expositions et de performances explorant la fluidité, la matérialité et l’expérience collective à travers différentes disciplines artistiques, présentée à Raven Row à Londres et à Ausstellungsraum Klingental à Bâle. En tant que fondatrice de HERproductions, elle collabore avec des artistes et institutions internationaux pour réaliser des formats de performance hybrides et des productions théâtrales, notamment Campobello d’Eva-Maria Bertschy, Iyagbon’s Mirror d’Onyrikon, et Silent Touch, Agility of Fear de Natascha Moschini. Depuis 2023, elle travaille comme productrice pour Group 50:50. Elle vit et travaille entre Zurich et Londres.</image:caption>
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  </url>
  <url>
    <loc>https://www.group5050.net/f-bio/jbekaka-p3wnd-eaj6d-b4dm9-pgnws</loc>
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    <lastmod>2025-10-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/884bbdaa-d5c2-4713-9370-16bffae775ee/IMAGE+2025-10-10+09%3A35%3A26+3.jpg</image:loc>
      <image:title>f_bio - Austin Nortey - Austin Nortey (né le 18 juillet 1997) est un artiste multidisciplinaire ghanéen originaire de Kumasi, avec des racines ancestrales à Osu, dans la région du Grand Accra. Sa pratique est profondément ancrée dans la durabilité, s’inspirant de textiles de seconde main et traditionnels pour explorer les histoires que les matériaux peuvent raconter. À travers son travail, Nortey réfléchit aux thèmes de l’identité, du travail, de la mémoire et de la relation changeante entre les personnes et les objets qui façonnent leur vie. Travaillant dans la peinture, la sculpture, l’art textile et la teinture, Nortey transforme des matériaux rejetés et négligés en nouveaux langages visuels. Il combine un savoir-faire minutieux avec des processus expérimentaux et guidés par le hasard, permettant à chaque pièce d’évoluer de manière organique tout en remettant en question les notions de forme et de texture. Diplômé de l’Université des sciences et technologies Kwame Nkrumah (KNUST), où il a obtenu un diplôme de première classe en design de mode, le travail de Nortey a été largement exposé à travers l’Afrique et au-delà. Son esprit collaboratif l’a conduit à travailler avec des compagnies de théâtre au Ghana et à l’étranger, notamment lors d’une performance en 2022 avec une troupe basée au Burkina Faso et d’un partenariat en design de costumes avec un artiste allemand la même année. Son travail a également été présenté lors de la conférence et exposition SIPAB à Afrotopia à Hambourg en 2022. En 2023, Nortey a participé à l’Exposition contemporaine d’art et littéraire de Paris, a performé dans Silver Lining avec l’artiste slovaque Barbara Gocnikova au plAR 2023, et a exposé à la Glam Fashion Africa Exhibition au Nigeria. La même année, il a été présenté dans QUT | Tout commence par une interruption à Paris. Son approche innovante du design textile lui a valu la reconnaissance de premier finaliste du prestigieux Vlisco Fashion Fund, en collaboration avec Vlisco Ghana. Son parcours créatif s’est poursuivi en 2024 avec une résidence au Perforcraze International Artist Residency (PIAR) à Kumasi. Il a ensuite participé au Bone Performance Art Festival à Berne, en Suisse, et à la résidence Chatting New Routes of Rebellion à Tamale, au Ghana. Ses œuvres ont été présentées dans l’exposition collective In the Chest of the City au PIAR et à l’international à la Lou Gallery à Helsinki, en Finlande, dans le cadre de We Tell Each Other Stories in Order to Live. En 2025, Nortey a rejoint le ZK/U Zentrum für Kunst und Urbanistik à Berlin pour une résidence d’artiste et a contribué à l’exposition collective Activist Choreographies of Care au NGbK. Il a également collaboré en tant que designer invité pour le Afrolution Festival, organisé par Each One Teach One (EOTO) à Berlin. Au-delà de sa pratique artistique, Austin est un défenseur actif de la durabilité dans la mode. Il partage sa passion pour la conscience environnementale à travers des conférences et interventions sur des plateformes internationales, notamment Fabrics à Hambourg et la Berlin School of Economics and Law.</image:title>
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  </url>
  <url>
    <loc>https://www.group5050.net/f-bio/jbekaka-p3wnd-eaj6d-b4dm9-btwzj</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2025-10-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/50207ae2-2c25-4768-84a5-622485515bbc/IMAGE+2025-10-10+09%3A35%3A23+2.jpg</image:loc>
      <image:title>f_bio - Edwige Dro</image:title>
      <image:caption>Edwige Dro est une écrivaine, traductrice littéraire et curatrice littéraire originaire de la Côte d'Ivoire qui travaille à la croisée de la littérature, des pensées féministes et des arts. Edwige a été membre du jury de prix tels que le Caine Prize for African Writing, et a siégé au conseil consultatif d'organisations telles que Culturescapes ou l'African Book Festival. Edwige est, entre autres, boursière du programme international d'écriture 2021 de l'université de l'Iowa. En 2020, elle fonde à Abidjan 1949 : la bibliothèque des écritures féminines d'Afrique et du monde noir, axée sur les pratiques féministes et décoloniales des femmes africaines et noires.</image:caption>
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  </url>
  <url>
    <loc>https://www.group5050.net/f-bio/jbekaka-p3wnd-eaj6d-b4dm9</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/036f1f93-7d66-4825-ad09-2abb0c639181/IMAGE+2025-10-10+09%3A35%3A19+2.jpg</image:loc>
      <image:title>f_bio - Percy Nii Nortey</image:title>
      <image:caption>Percy Nii Nortey est un artiste pluridisciplinaire, né et basé à Kumasi, au Ghana. Sa pratique explore des thèmes tels que l’identité, la matérialité, la décolonisation, la mémoire et le travail, en brouillant les frontières entre installation, objets performatifs et sculptures en mouvement. Profondément enraciné dans son histoire personnelle et les conditions socio-économiques du Ghana, le travail de Nortey vise à décoloniser les esprits, à renforcer les communautés noires et à reprendre la maîtrise de leurs propres récits. L’engagement communautaire est au cœur de son approche artistique. Il collabore activement avec les communautés locales de la classe ouvrière dans son processus créatif, en distribuant des tissus de seconde main, qu’il récupère après usage pour les transformer en œuvres d’art à grande échelle. Ces tissus usés — marqués par des traces de saleté, de charbon, de graisse et d’huile issues du travail quotidien — deviennent des archives de résilience, mettant en lumière l’importance du travail et son rôle dans la société. Les œuvres de Nortey ont été présentées dans des institutions culturelles et des festivals, tant au Ghana qu’à l’international, notamment au Dekoloniale Festival (Berlin), au Kunstenfestivaldesarts (Bruxelles), à Orderly Disorderly (Musée des Sciences et de la Technologie, Accra) et au Chale Wote Street Art Festival (Accra). Sa pratique continue d’explorer comment les matériaux du quotidien et la mémoire collective peuvent servir d’outils radicaux de résistance, de narration et de guérison transformative.</image:caption>
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  <url>
    <loc>https://www.group5050.net/f-bio/jbekaka-p3wnd-eaj6d</loc>
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    <lastmod>2025-10-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/56b370c4-b68c-41b5-a696-fc735af525cb/jb_NEU+2.jpg</image:loc>
      <image:title>f_bio - Jean Babtiste Ekaka - Jean Baptiste Ekaka (né en 1989) est enseignant, militant et membre de la communauté Mbuti de Bagoia, dans la forêt équatoriale en RDC. Il défend les droits et les intérêts des habitants autochtones de la forêt. Il a rencontré les membres du GROUP50:50 lorsqu’ils menaient des recherches dans la région pour The Ghosts are Returning. Depuis 2023, il fait partie du collectif et joue un rôle principal dans la production ECOSYSTEM. Dans le programme de discursif accompagnant la production et intitulé The Time For Denial Is Over, il a participé à des divers panels et échanges, abordant toujours la situation complexe dans le nord-est du Congo. Avec ECOSYSTEM, il s’est produit en Allemagne, en Autriche et en Suisse, notamment au Maxim Gorki Theater (Berlin), à la Kaserne Basel, au Théâtre Vidy-Lausanne et au Voralberger Landestheater.</image:title>
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  </url>
  <url>
    <loc>https://www.group5050.net/f-bio/huguettetolinga-9l54h</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/4410fbd1-877f-4db5-b0a6-ec3386d7c3ba/ecosystem_02%281%29+2.jpg</image:loc>
      <image:title>f_bio - Stany Kalanda - STANY KALANDA (né 1992 à Kinshasa) est un artiste musicien, auteur-compositeur , chanteur et instrumentiste, connu sous le nom de scène « Bouton Likembe ». Il porte haut la voix d’un instrument traditionnel, quasi disparu : le Likembe. Un instrument de portée historique originaire du Congo Central. À travers son instrument de prédilection, Bouton Likembe rayonne des genres musicaux variés comme la Rumba, le Jazz, le Reggae ou encore la fusion avec la musique classique occidentale. Depuis sa découverte en 2010 lors d’une prestation dans un deuil d’un quartier banlieue de la capitale, Kalanda est passé du statut d’artiste de subculture à un artiste professionnel reconnu. En dehors de sa carrière solo, il est fondateur d’un groupe musical et tient des formations d’apprentissage de Likembe, parcourant le monde à travers nombreux festivals et projets tant nationaux et internationaux : COUP FATAL (2014 &amp; 2019) avec Fabrizio Cassol, Rodriguez Vangama et Alain Platel (entre outre au Festival d’Avignon, TorinoDanza, Wiener Festwochen, Théâtre de Namur, Théâtre du Rond-Point) REQUIEM POUR L avec Fabrizio Cassol, Alain Platel (entre outre au Haus der Berliner Festspiele, Festival de Marseille, Théâtre National de Bruxelles, Schauspiel Leipzig) FESTIVAL PIANO DE KINSHASA (2023) mention spéciale « Artiste de la révélation » ECOSYSTEM (2023) avec le GROUP50:50 (Residenz Schauspiel Leipzig et Kaserne Basel MBUTU MBUTU (2023) avec le Cie Ambassa (Centre Wallonie Bruxelles à Kinshasa et à Bruxelles au Charleroi Danse)</image:title>
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  <url>
    <loc>https://www.group5050.net/f-bio/dieuleveutsumba-p3wnd</loc>
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    <priority>0.5</priority>
    <lastmod>2025-10-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/7ddf6dda-1e94-4a2b-8e06-0898a4cd7cfb/Dekoloniale+%2724_day2-102%281%29+2.jpg</image:loc>
      <image:title>f_bio - Dieu Le Veut Sumba - Dieu Le Veut Sumba, né à Kinshasa en 1989 est bassiste qui joue la Rumba, le Jazz, le Gospel et la musique folklorique congolaise. Au cours des derniers dix anées il a accompagné le guitariste renommé Kojack Kossakamvwe pendant de nombreux concerts en RDC, Ouganda, Rwanda et Burundi ainsi que des tournées en Europe. En 2016 il a collaboré avec Mbilia Belle, également très connu en RDC et internationalement. En 2022 il participe à la réprésentation de „Requiem pour L“ (Fabrizio Cassool et Alain Platel) à Brazzaville. Depuis 2024 il tourne en Suisse, Allemagne et Autriche avec le GROUP50:50 et la production ECOSYSTEM.</image:title>
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  </url>
  <url>
    <loc>https://www.group5050.net/f-bio/huguettetolinga-l8ccg</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/28653cb2-3696-41b2-88ed-b6371954296d/DSC_3263_websize+4.jpg</image:loc>
      <image:title>f_bio - Huguette Tolinga - Huguette Tolinga est auteur-compositeur autodidacte, percussionniste, multi-instrumentiste et chanteuse, fondatrice et directrice artistique du Hugembo Studio et vit à Überlingen. Née à Boende, elle a commencé sa carrière de percussionniste à Kinshasa dans un groupe de danse contemporaine, la Compagnie Jacques Banayanga, avant de faire un crochet par le groupe Quartier Latin. En 2009, elle a fondé son propre groupe, Huguembo, avec lequel elle se produit régulièrement au Congo. Huguette collabore régulièrement avec le théâtre et la danse. En 2018, elle a rejoint l'équipe de Not Another Diva... une création musicale de la Sud-Africaine Hlengiwe Lushaba et de Faustin Linyekula. Elle s'est notamment produite au Kaserne Basel en Suisse, au NTGent et au Bozar Bruxelles en Belgique. En 2018-2019, elle fait partie de l'équipe d'Un fleuve dans le ventre - un texte de Fiston Mwanza Mujila mis en scène par Carina Riedl. En 2019, elle est l'interprète d'Hercule de Lubumbashi mis en scène par Elia Rediger et Dorine Moha. En 2020, elle initie la première édition du festival Jam Boom à Kinshasa, une plateforme de découverte et de formation de jeunes artistes congolais, avec le soutien du Goethe-Institut. Outre la création de la musique pour Anthropos, mis en scène par Carina Riedl, l'année 2022 marque la participation d'Huguette au programme Il Ritorno dei Fantasmi à Palerme (mai-juin), en collaboration avec le Studio Rizoma et le Groupe50:50, dont elle fait partie, ainsi qu'au Laboratoire Kontempo - Kinzonzi à Berlin (mai).</image:title>
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  <url>
    <loc>https://www.group5050.net/f-bio/franckmoka-5tkyb</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/997fba0b-8253-443c-aec3-67cad7584da6/DSC_2741_websize.jpg</image:loc>
      <image:title>f_bio - Franck Moka</image:title>
      <image:caption>vit et travaille à Kisangani. Entre son, musique, vidéo, film et installation ; son travail questionne lesrapports humains et environnements. Il débute dans le rap à la fin des années 90 et devient l’alter ego de Pasnas qu’il a accompagné en studio et sur scène au Congo, au Rwanda et en Europe. Lancé en autodidacte en M.A.O, Il commence vite à programmer sa propre musique et à développer des travaux sonores, avant de se renforcer auprès de Flip en 2009, ou de Smockey en 2014 à Kisangani. Interprète et performeur, il s'est formé auprès de Faustin Linyekula. Il est initié au cinéma par Gael Teicher en 2014. Depuis plusieurs années, il compose pour la scène, pour lui et collabore avec d’autres artistes tels que Dorine Mokha, Elia Rediger, Faustin Linyekula, ou pour l’écran avec Nelson Makengo. Franck écrit et réalise, des vidéos, des films, des pièces sonores en plus de travailler en tant que sound designer et monteur. Son travail (performances, concerts, pièces ou installations sonores, musiques, vidéos, films) en tant qu’auteur ou à travers ses collaborations a été montré entre des festivals et des expositions dans le pays principalement à Kisangani et à Lubumbashi où il les a souvent développés, à Johannesburg (Plat4m), à Düsseldorf, à Berlin (HAU), et récemment à Montréal (Vue d’Afrique), à Rotterdam (IFFR), à Dakar (Dakar court), etc. Il a récemment composé la musique de « Lisbon, my Lisbon », pièce de théâtre de Faustin Linyekula pour le Teatro Nacional D. Maria II. Artiste associé aux Studios Kabako dont il est coordonateur artistique depuis 2021, Franck dirige également Art’gument Project, structure basée sur la recherche et les échanges artistiques qu’il a cofondé avec Dorine Mokha. Il anime plusieurs ateliers et échanges artistiques localement et à Lubumbashi.</image:caption>
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  </url>
  <url>
    <loc>https://www.group5050.net/f-bio/ruthkemna-9edf5</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/8a928ba8-b1b4-40fa-a751-e58fef68e402/DSC_2700_websize.jpg</image:loc>
      <image:title>f_bio - Ruth Kemna</image:title>
      <image:caption>a étudié l'alto et le théâtre appliqué à Hanovre, Londres et Salzbourg. Elle est altiste, interprète et créatrice de théâtre. Son travail artistique porte sur la musique contemporaine, les corps des musiciens et des instruments et les rôles socialement critiques qu'ils peuvent jouer. Elle s'est produite dans de nombreux festivals internationaux tels que la Ruhrtriennale, le Kammermusikfest Lockenhaus, le Festival de Davos, le Heidelberger Frühling, Fusion. Elle a été altiste principale de la Hamburger Camerata et a eu un contrat temporaire avec la NDR Radiophilharmonie Hannover, a joué avec Klangforum Wien, Studio MusikFabrik Köln, Orchester im Treppenhaus, Ensemble Modern. En tant que musicienne et interprète solo, elle accompagne le plus grand spectacle de gymnastique d'Europe, le Feuerwerk der Turnkunst. En 2020, elle a fait partie de l'oratorio minier post-colonial "Hercule de Lubumbashi" en RD Congo. Elle a effectué des tournées en Europe, en Amérique du Sud, en Chine, en République démocratique du Congo et en Afrique du Sud. Elle vit actuellement à Palerme pour développer de nouvelles performances traitant de la frontière entre les continents africain et européen en Méditerranée.</image:caption>
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  </url>
  <url>
    <loc>https://www.group5050.net/f-bio/blog-post-title-one-7efgp-fcbj3-zpflm-r2znl-85lpr-blwkb-ex22y-b3hx5-nbtrh-47pl5-fhhpz</loc>
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    <lastmod>2025-10-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/15ec0d4e-3f85-47d0-8463-d96618df6854/DSC_2717_websize.jpg</image:loc>
      <image:title>f_bio - Merveil Mukadi</image:title>
      <image:caption>est un artiste musicien polyvalent international d'origine congolaise et compositeur, arrangeur. Connu sur le nom de MEMU (MErveil MUkadi) il a commencé comme chanteur dans la chorale synode avec ces deux parents depuis l'âge de 9 ans. Il poursuit après comme percussionniste et drumeur aux seins des diverses églises d'Afrique. Passionné par la musique il se lance a l'étude d'autres instruments notamment : le piano, guitare, basse, l'harmonica etc. Son expérience musicale est venue grâce a des rencontres et partage lors grands concerts ça et là. En 2014 il a été recruté comme bassiste au seins du groupe Manus de Lubumbashi qui, a ce temps était réputé pour ces grandes productions à l'institut français et au centre Wallonie Bruxelles de Lubumbashi et de Kinshasa et au centre d'art Waza chapeauté par Patrick Mudekereza. En 2017 et 2018 il a reçu sa double bourse d'études en Belgique pour une formation des jazz, compositions, gospel et autres. L'Allemagne lui ouvre se portes comme bassiste dans "Hercule de Lubumbashi” une production de théâtre musicale de Elia Rediger et Dorine Mokha.</image:caption>
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  <url>
    <loc>https://www.group5050.net/f-bio/isaacyenga-dders</loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/5d18d969-1d1e-498b-a4ba-c95f0fd64634/PHOTO-2025-09-12-15-47-32.jpg</image:loc>
      <image:title>f_bio - Isaac Yenga Lomami - Administrateur des Studios Kabako, Isaac Yenga Lomami est licencié en philosophie et en droit. Entre 2013 et 2015, il est engagé comme coordonnateur des Studios Kabako, avant d’être promu au poste d’administrateur adjoint qu’il occupera jusqu’en 2020, sous l’administration de Virginie Dupray. En 2021, il passe 3 mois de stage au Manège de Reims (France) aux départements d’Administration, de Production et de diffusion. La même année, il devient l’administration des Studios Kabako et à la charge de production et diffusion notamment des pièces de Faustin Linyekula. Depuis 2023, il devient chargé de production du GROUP50:50 pour la partie congolaise.</image:title>
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  <url>
    <loc>https://www.group5050.net/f-bio/sylvainfaye-lwtml</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2025-10-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/76685540-cffe-4b39-b100-a71acf1d4a23/sylvain+website.jpeg</image:loc>
      <image:title>f_bio - Sylvain Faye - Sylvain Faye est né a Clermont-Ferrand en 1976. Il passe la plus grande partie de son enfance en Afrique, continent avec lequel in entretien toujours un lien étroit. En 1998, après des études aux Beaux arts de Montpellier, il entreprend un apprentissage de sculpteur et tailleur de pierre au musée du Louvre a Paris. En parallèle de son activité sur les chantiers de restauration de monuments historiques, il se découvre une passion pour le théâtre et la scénographie et décide en 2000 de s'installer a Marseille pour en faire son métier. Depuis 2008, il vit a Berlin en Allemagne. Depuis, il a participé a de nombreux projets, dans des domaines allant de la sculpture a la scénographie en passant par la création lumière et le cinema. Il a collaboré entre autres avec des artistes plasticiens (Olafur Eliasson, Sofia Hulten,Pae White..), des metteurs en scènes (Hélène Soulié, Franck Dimech, Stéphane Braunschweig, Milo Rau, Eva-Maria Bertschy...), des collectifs d'artistes (Performing group, Familie Flöz,Group 5050...). En parallèle de ses activités artistiques , il se spécialise dans la direction technique des productions théâtrales ; fonction qu'il occupe souvent pour les créations auxquelles il partiçipe , mais aussi pour des institutions comme le Neuköllner Oper a Berlin .</image:title>
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  <url>
    <loc>https://www.group5050.net/f-bio/lucamaier-jkhem</loc>
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    <lastmod>2025-10-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/7b4861a7-dd78-4859-8cfe-87de2aa95fe8/fff6d082-bff0-4648-add5-4e91016e0a95+2.jpg</image:loc>
      <image:title>f_bio - Luca Maier - Luca Maier (née en 1996 à Berlin) travaille comme dramaturge indépendante, assistante à la mise en scène et traductrice. Après ses études à la BURG Halle (Design de communication), elle est entrée dans le travail culturel interculturel grâce à un long séjour à Marseille. Avec l’auteure Julie Guigonis et le collectif Copines, elle a réalisé entre 2020 et 2025 des productions théâtrales, des programmes radio et des pièces audio en allemand et en français. Au théâtre, sa passion va autant à la recherche précise qu’au grand comique burlesque. Depuis 2022, elle travaille comme assistante de la direction artistique et de la production pour GROUP50:50.</image:title>
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  <url>
    <loc>https://www.group5050.net/f-bio/category/Conseil+d%27administration</loc>
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  </url>
  <url>
    <loc>https://www.group5050.net/f-bio/category/Vorstand</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.group5050.net/f-bio/category/Membre</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.group5050.net/f-bio/tag/d</loc>
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  <url>
    <loc>https://www.group5050.net/f-bio/tag/f</loc>
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  <url>
    <loc>https://www.group5050.net/f-bio/tag/bio</loc>
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  </url>
  <url>
    <loc>https://www.group5050.net/d-bio</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-26</lastmod>
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  <url>
    <loc>https://www.group5050.net/d-bio/kojackkossakamvwe-mjghe-ammxz-e3bn4</loc>
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    <lastmod>2025-10-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/d1bded5a-3579-480f-9358-8d5f4ca5952f/Kojack.jpg</image:loc>
      <image:title>d_bio - Kojack Kossakamvwe</image:title>
      <image:caption>Gründungsmitglied spielte in vielen Bands und Projekten mit den Stars der kongolesischen Musikszene, darunter Kwata Vibra (1998), Wenge Musica Maison Mère (2000-2003) und als musikalischer Leiter mit Papa Wemba für La passion du maître (2015). Er stand bei vielen musikalischen Grossprojekten wie Losangania Project (2009) und Basali ya buzoba (2010) auf der Bühne und ist mit Elie Kamano und Maryse Ngalula für Visas pour la création (2013) und Franco na biso (2014) auf Tour gegangen. 2018 bis 2020 tourte er mit Requiem Pour L. – unter der Leitung von Fabrizio Cassol und Alain Platel – gemeinsam mit Musiker:innen aus allen fünf Kontinenten um die Welt. 2019 war er Teil des Ensembles von Herkules von Lubumbashi – Ein Minenoratorium. Seit 2021 ist er musikalischer Co-Leiter der GROUP50:50 und der beiden Musiktheaterproduktionen The Ghosts are Returning (2022-2023) und Ecosystem (2023-2025). Im Januar 2024 stand er als Gitarrist bei der Operninszenierung Justice vom Schweizer Regisseur Milo Rau im Grand Théâtre de Genève und in St. Pölten auf der Bühne. Parallel arbeitete er als musikalischer Leiter mit der Schweizer Regisseurin Eva-Maria Bertschy an ihrer Inszenierung Fremde Seelen. Kojack Kossakamvwe war zudem als Musiker bei den Leipziger Jazztagen, beim Jazzfestival Moers und Bee-Flat Bern auf der Bühne.</image:caption>
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  <url>
    <loc>https://www.group5050.net/d-bio/eva-mariabertschy-67p78-Hu9dd-n2zl9-f2lxb</loc>
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    <lastmod>2025-10-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/5a41e435-e663-41c7-9579-679c8f92e6d9/015_BLS_28-29giu_Boccaccino_BOC5779.jpg</image:loc>
      <image:title>d_bio - Eva-Maria Bertschy</image:title>
      <image:caption>Gründungsmitglied arbeitet als freischaffende Dramaturgin, Regisseurin und Theaterautorin. Seit 2012 konzipierte und realisierte sie mit dem Schweizer Regisseur Milo Rau und dem IIPM internationale Theaterprojekte und Dokumentarfilmprojekte. Parallel dazu arbeitete sie regelmäßig mit dem Berliner Regisseur Ersan Mondtag zusammen. 2021 gründete sie mit dem Schweizer Musiker Elia Rediger, dem kongolesischen Choreografen Dorine Mokha und dem Kurator Patrick Mudekereza die GROUP50:50. Mit dem kongolesisch-schweizerischen Kollektiv entwickelte sie ein mehrteiliges politisches Projekt, das die beiden Musiktheatertstücke The Ghosts Are Returning und Ecosystem und die Diskursreihe The Time For Denial Is Over umfasste. Vor fünf Jahren zog sie nach Palermo und gründete die Fondazione Studio Rizoma mitbegründete, eine Produktionsstruktur für transnationale politische und künstlerische Projekte. Sie co-kuratierte mit dem Rizoma-Team drei Ausgaben des Between Land and Sea Festivals, das seit 2021 in Palermo wie auch in den beiden Hafenstädten Tunis und Bremen veranstaltet wird. 2024 realisierte sie ihr erstes eigenes Stück Fremde Seelen / Âmes étrangères, mit dem sie in die Schweiz zurückkehrte.</image:caption>
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  <url>
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    <lastmod>2025-10-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/d5f1466f-18a7-4fbe-b5d9-b3073e30fa04/_A7R5790.jpeg</image:loc>
      <image:title>d_bio - Patrick Mudekereza</image:title>
      <image:caption>Gründungsmitglied ist Schriftsteller und Kurator. Er ist Gründer und künstlerischer Leiter des Centre d'art Waza, eines einzigartigen unabhängigen Kunstzentrums in Lubumbashi. Er war Mitbegründer und Leiter der ersten drei Ausgaben der Rencontres Picha, Biennale de Lubumbashi (2008-2015). Er beteiligte sich an der Gründung und saß im Vorstand der International Biennial Association. Er kuratierte Ausstellungen wie „Prise de Terre“ (Teil von GEOgraphics, Bozar, 2010), „Close Openings/Vernissage Fugaces“ (Verschiedene Orte in Lubumbashi, 2011), „Mining Lubum“ (VANSA, Johannesburg, 2015), „Silimuka“ (Teil des Projekts ChinAfrika under construction, Museum für Gegenwartskunst GfZK Leipzig, 2017), „Aire d'oiseaux imaginaires“ (Kongo Biennale in Kinshasa, 2019, und Bogardenkapel Brugge, 2019). Das Projekt und die begleitende Publikation „Revolution Room“ (2013-2016) wurden mit dem African Architecture Award in der Kategorie Critical Dialogue ausgezeichnet (Zeitz MOCAA, Kapstadt, 2017). 2016 erhielt er den nationalen kongolesischen Kunst- und Kulturpreis und 2017 die Medaille Art Lettre et Sciences. Er lehrt an den Universitäten Lubumbashi und Witwatersrand.</image:caption>
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  <url>
    <loc>https://www.group5050.net/d-bio/eliarediger-dy6n8-p8hdm-pppjy</loc>
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    <lastmod>2025-10-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/c7f05eb9-ab89-4289-b5af-c815077dc6c7/DSC_3038_websize.jpg</image:loc>
      <image:title>d_bio - Elia Rediger - Gründungsmitglied</image:title>
      <image:caption>Geboren 1985 in Kinshasa/Demokratische Republik Kongo, ist ein weitgereister Schweizer Künstler, Komponist, Dramatiker und Sänger. Nebst Orchester-kompositionen („Oh Albert“, 2016, Basel) war er Hausautor am Konzerttheater Bern (2016/2017), Frontmann der Popgruppe The bianca Story und des Big Band-Orchesters Brigade Futur 3. „Herkules von Lubumbashi – ein Minenoratorium“ war seine zweite Zusammenarbeit mit dem kongolesischen Choreographen Dorine Mokha nach dem Theaterstück „Oh Boyoma – 387 Strophen über eine vergessene Stadt“ (KonzertTheaterBern 2017). 2020 gründeten Mokha/Rediger gemeinsam mit dem kongolesischen Kurator Patrick Mudekereza und der Schweizer Dramaturgin Eva-Maria Bertschy die GROUP50:50. Nach dem plötzlichen Tod Dorine Mokhas entschieden sie sich die Mission der GROUP50:50 weiterzuführen und schlossen sich für eine neue Produktion mit Christiana Tabaro und Michael Disanka zusammen.</image:caption>
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    <loc>https://www.group5050.net/d-bio/michaeldisanka-az3b5-5x3f5-df7ba</loc>
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    <lastmod>2025-10-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/415e0ac7-cea7-4d0f-899f-abab42ec5d16/IMG_6536.jpg</image:loc>
      <image:title>d_bio - Michael Disanka</image:title>
      <image:caption>ist Schauspieler, Regisseur und Autor. Nach seinem Studium am Institut National des Arts in Kinshasa, gründete er gemeinsam mit Christiana Tabaro das Collectif d‘Artd‘Art. 2012 lernte den kongolesischen Dramatiker Dieudonné Niangouna kennen und arbeitete mit ihm an Theaterproduktionen, die u.a. am Connexion Kin 2012-2013, Mantsina sur scène 2012 (Brazzaville), und Theaterformen 2013 (Hannover) präsentiert wurden. Seit einigen Jahren arbeitet er zudem an eigenen Texten, vor allem im Projekt „Diseurs de textes“, einem Performance-Leseprojekt. Die Texte „31. Mai 2012“ und „La Poupoupète“ wurden 2012 von Dieudonné Niangouna inszeniert. 2021 wurde er Mitglied der GROUP50:50.</image:caption>
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  <url>
    <loc>https://www.group5050.net/d-bio/christianatabaro-ww3df-ty39e-ys8cc</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/4ad034e9-f878-49ab-82db-2759d0781008/220922_group50_50_019_5239_diesner-scaled.jpg</image:loc>
      <image:title>d_bio - Christiana Tabaro - Mach es besonders</image:title>
      <image:caption>Was auch immer es ist – die Art und Weise, wie du deine Geschichte online vermittelst, kann einen gewaltigen Unterschied ausmachen.</image:caption>
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  <url>
    <loc>https://www.group5050.net/d-bio/dorinemoka-67p78-hu9dd-ntjp3-n6lf4-rx76g</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/9f051515-57c3-4369-b291-d0b416961597/dorine.webp</image:loc>
      <image:title>d_bio - Dorine Moka (✝) - Dorine Mokha wurde 1989 in Lubumbashi in der Demokratischen Republik Kongo geboren und war Tänzer, Choreograf und Autor. Neben seiner künstlerischen Tätigkeit erwarb Mokha Abschlüsse in Literatur und Rechtswissenschaft. Er arbeitete unter anderem bei Studios Kabako, wo er sich mit zeitgenössischem Tanz, Dramaturgie und Regie beschäftigte. Er nahm am Festival Theaterformen in Hannover teil und erhielt 2014 ein Stipendium der Akademie Schloss Solitude in Stuttgart. „Hercule de Lubumbashi“ war die zweite Zusammenarbeit zwischen Mokha und Elia Rediger nach ihrem Stück „Oh Boyoma“ aus dem Jahr 2017. Dorine Mokha verstarb am 8. Januar 2022 in seiner Heimatstadt Lubumbashi.</image:title>
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  <url>
    <loc>https://www.group5050.net/d-bio/jospehkasau-mhbl5-ak9rb</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2025-10-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/1655325046354-JIIRX43WPP16ZXQ869YX/joseph-kasau-1-768x1068.jpg</image:loc>
      <image:title>d_bio - Joseph Kasau</image:title>
      <image:caption>Joseph K. Kasau Wa Mambwe wurde 1995 in Lubumbashi geboren und ist ein visueller Künstler, Filmemacher und Autor. Er hat an der Universität Lubumbashi einen Bachelor in Informations- und Kommunikationswissenschaften erworben und sich auf Darstellende Künste (Audiovisuelle Medien, Film und Theater) spezialisiert.Seine Leidenschaft für die Kunst begann schon früh durch Kinobesuche in Lubumbashi und wurde von vielfältigen visuellen Einflüssen geprägt. Seine künstlerische Praxis bewegt sich an der Schnittstelle von Film, Videokunst, Fotografie und kreativem Schreiben, in seiner Arbeit thematisiert er die Komplexität von Erinnerung und Identität in einem postkolonialen urbanen Kontext. Joseph K. Kasau Wa Mambwe ist Stipendiat der Residenz Trame 2022 der Cité Internationale des Arts de Paris, des Residenzprogramms der Delfina Foundation in England zum Thema Ernährungspolitik, des Tri-Kontinental-Projekts Quilombo (RDC - SCHWEIZ - BRASILIEN) von 2021 bis 2023 und arbeitet auch als Fixer, Regieassistent, Redaktionsassistent und als Kommunikationsbeauftragter für afrikanische und westliche Institutionen und Kollektive, u.a. Les Films de la Passerelle (Belgien), Lubumbashi Biennale (2019), Musée de Tervuren (Belgien), PODIUM Esslingen (Deutschland) und GROUP50:50 (RDC - SCHWEIZ - Deutschland).</image:caption>
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  <url>
    <loc>https://www.group5050.net/d-bio/percyniinortey-mjghe-ammxz-ngh7b-692ll-55jf4-5wr5r-g3bba</loc>
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    <lastmod>2025-10-11</lastmod>
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      <image:title>d_bio - Camille Jamet - Camille Florence Jamet ist Creative Producer und Kuratorin. Sie studierte Szenografie (BA) in Zürich und Zeitgenössische Kunsttheorie (MA) in London. Seit 2018 entwickelt und produziert sie transdisziplinäre Projekte an der Schnittstelle von Performance, Musik und visueller Kultur. Sie war Mitkuratorin und Produzentin von Aggregates, einer Ausstellungs- und Performance-Reihe, die Fluidität, Materialität und kollektive Erfahrung über künstlerische Disziplinen hinweg erforscht, präsentiert bei Raven Row in London und im Ausstellungsraum Klingental in Basel. Als Gründerin von HERproductions arbeitet sie mit internationalen Künstler*innen und Institutionen zusammen, um hybride Performance-Formate und Theaterproduktionen zu realisieren, darunter unter anderem Campobello von Eva-Maria Bertschy, Iyagbon’s Mirror von Onyrikon und Silent Touch, Agility of Fear von Natascha Moschini. Seit 2023 arbeitet sie zudem als Produzentin für Group 50:50. Sie lebt und arbeitet zwischen Zürich und London.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.group5050.net/d-bio/percyniinortey-mjghe-ammxz-ngh7b-692ll-55jf4-rrpk4</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/a8a988f8-4343-4bc4-b749-63182df2dd02/IMAGE+2025-10-10+09%3A35%3A23+2.jpg</image:loc>
      <image:title>d_bio - Edwige Dro - Edwige Dro is a writer, literary translator (English and French), and literary curator from Côte d’Ivoire whose work spans fiction, creative nonfiction, and feminist literary advocacy. She works at the intersections of literature, feminist thoughts, and the arts, and her writing and translations have appeared across Africa, the UK, and North America. She has served on juries for the Caine Prize for African Writing and the PEN International Short Story Prize, and she is on advisory boards such as the PEN/HEIM Translation Fund, Culturescapes, and the African Book Festival. A 2014 Africa39 laureate, she is also a 2019 Miles Morland Fellow and a 2021 International Writing Program Fellow at the University of Iowa. In 2020, she founded 1949: the Library of Women’s Writings from Africa and the Black World, a feminist space for decolonial practices, knowledge production and its democratization in Abidjan.</image:title>
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  </url>
  <url>
    <loc>https://www.group5050.net/d-bio/percyniinortey-mjghe-ammxz-ngh7b-692ll-p7bcy-fsc3r</loc>
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    <lastmod>2025-10-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/a750df55-8dc6-4ecc-b8cd-81dd2c247c8b/IMAGE+2025-10-10+09%3A35%3A26+3.jpg</image:loc>
      <image:title>d_bio - Austin Nortey - Austin Nortey (geboren am 18. Juli 1997) ist ein multidisziplinärer ghanaischer Künstler aus Kumasi mit familiären Wurzeln in Osu, Greater Accra. Seine künstlerische Praxis ist tief in Nachhaltigkeit verankert und greift auf Second-Hand- und traditionelle Textilien zurück, um die Geschichten zu erforschen, die Materialien erzählen können. Durch seine Arbeit reflektiert Nortey Themen wie Identität, Arbeit, Erinnerung und die sich wandelnde Beziehung zwischen Menschen und den Objekten, die ihr Leben prägen. In seiner Arbeit, die Malerei, Skulptur, Textilkunst und Färbetechniken umfasst, verwandelt Nortey weggeworfene und übersehene Materialien in neue visuelle Sprachen. Er verbindet sorgfältiges Handwerk mit experimentellen, zufallsbasierten Prozessen und lässt jedes Werk organisch entstehen, während er zugleich Vorstellungen von Form und Textur herausfordert. Nortey schloss sein Studium der Modedesign an der Kwame Nkrumah University of Science and Technology (KNUST) mit Auszeichnung (First Class) ab. Seine Arbeiten wurden bereits vielfach in Afrika und darüber hinaus ausgestellt. Seine Werke wurden auf der SIPAB-Konferenz und Ausstellung in Afrotopia, Hamburg (2022) präsentiert. Im Jahr 2023 nahm Nortey an der Paris Contemporary Art and Literary Exhibition teil, trat in Silver Lining mit der slowakischen Künstlerin Barbara Gocnikova beim plAR 2023 auf und stellte bei der Glam Fashion Africa Exhibition in Nigeria aus. Im selben Jahr war er Teil der Ausstellung QUT | Tout commence par une interruption in Paris. Für seinen innovativen Ansatz im textilbasierten Design wurde er als First Runner-Up des renommierten Vlisco Fashion Fund ausgezeichnet. Seine kreative Reise setzte sich 2024 mit einem Artist-in-Residence-Aufenthalt bei Perforcraze International Artist Residency (PIAR) in Kumasi fort. Er nahm außerdem am Bone Performance Art Festival in Bern (Schweiz) und an der Chatting New Routes of Rebellion Residency in Tamale (Ghana) teil. Seine Werke wurden in der Gruppenausstellung In the Chest of the City bei PIAR sowie international in der Lou Gallery in Helsinki (Finnland) im Rahmen von We Tell Each Other Stories in Order to Live gezeigt. Im Jahr 2025 wurde Nortey als Artist-in-Residence am ZK/U Zentrum für Kunst und Urbanistik in Berlin aufgenommen und beteiligte sich an der Gruppenausstellung Activist Choreographies of Care in der NGbK. Darüber hinaus arbeitete er als Gastdesigner beim Afrolution Festival in Berlin. Neben seiner künstlerischen Praxis engagiert sich Austin aktiv für Nachhaltigkeit in der Mode. Er teilt seine Leidenschaft für Umweltbewusstsein durch Vorträge und Präsentationen auf internationalen Plattformen.</image:title>
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  <url>
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    <lastmod>2025-10-26</lastmod>
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      <image:title>d_bio - Percy Nii Nortey</image:title>
      <image:caption>Percy Nii Nortey ist ein multidisziplinärer Künstler, geboren und ansässig in Kumasi, Ghana. In seiner Praxis erforscht er Themen wie Identität, Materialität, Dekolonisierung, Erinnerung und Arbeit. Dabei verwischt er die Grenzen zwischen Installation, performativen Objekten und beweglichen Skulpturen. Tief in seiner persönlichen Geschichte und den sozioökonomischen Bedingungen Ghanas verwurzelt, zielt Norteys Arbeit darauf ab, Denkweisen zu dekolonisieren, Schwarze Gemeinschaften zu stärken und die Kontrolle über ihre eigenen Narrative zurückzugewinnen. Die Einbindung der Gemeinschaft steht im Zentrum seines künstlerischen Ansatzes. Er arbeitet aktiv mit lokalen Arbeitergemeinschaften zusammen, indem er gebrauchte Stoffe verteilt, sie nach ihrem Gebrauch zurückholt und in großformatige Kunstwerke verwandelt. Diese getragenen Stoffe – mit Spuren von Schmutz, Kohle, Fett und Öl des täglichen Arbeitslebens – werden zu Archiven der Widerstandskraft und unterstreichen die Bedeutung von Arbeit und ihrer Rolle in der Gesellschaft. Norteys Werke wurden in kulturellen Institutionen und auf Festivals im In- und Ausland gezeigt, darunter beim Dekoloniale Festival (Berlin), Kunstenfestivaldesarts (Brüssel), Orderly Disorderly (Museum of Science and Technology, Accra) und dem Chale Wote Street Art Festival (Accra). Seine fortlaufende künstlerische Praxis untersucht, wie alltägliche Materialien und kollektive Erinnerung als radikale Werkzeuge für Widerstand, Erzählen und transformative Heilung dienen können.</image:caption>
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  <url>
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    <lastmod>2025-10-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/49d19c9c-74ed-474d-b4a2-dc5b16699fa2/Dekoloniale+%2724_day2-102%281%29+2.jpg</image:loc>
      <image:title>d_bio - Dieu le Veut Sumba - Dieu Le Veut Sumba, geboren 1989 in Kinshasa, ist Bassist und spielt Rumba, Jazz, Gospel und kongolesische Volksmusik. In den letzten zehn Jahren begleitete er den renommierten Gitarristen Kojack Kossakamvwe bei zahlreichen Konzerten in der DRC, Uganda, Ruanda und Burundi sowie auf Tourneen in Europa. 2016 arbeitete er mit Mbilia Belle, ebenfalls sehr bekannt in der DRC, zusammen. 2022 nahm er an der Aufführung von Requiem pour L (Fabrizio Cassol und Alain Platel) in Brazzaville teil. Seit 2024 tourt er mit GROUP50:50 und der Produktion ECOSYSTEM in der Schweiz, Deutschland und Österreich.</image:title>
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  <url>
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    <lastmod>2025-10-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/141e59b9-4ff7-4241-adf7-a9a8d0b623cb/ecosystem_02%281%29+2.jpg</image:loc>
      <image:title>d_bio - Stany Kalanda - Stany Kalanda (geboren 1992 in Kinshasa) ist Musiker und Komponist, bekannt unter seinem Künstlernamen „Bouton Likembe“. Er trägt die Stimme eines fast verschwundenen traditionellen Instruments in die Welt hinaus: des Likembe, eines Instruments von historischer Bedeutung, das aus dem Kongo Central stammt. Er vereint verschiedene Musikrichtungen wie Rumba, Jazz, Reggae und Fusionen mit westlicher klassischer Musik. Seit seiner Entdeckung im Jahr 2010 bei einem Auftritt auf einer Beerdigung in einem Vorort von Kinshasa hat sich Kalanda von einem Subkulturkünstler zu einem professionellen Musiker entwickelt. Neben seiner Solokarriere ist er Gründer einer Musikgruppe und gibt Likembe-Workshops. Er reist mit zahlreichen nationalen und internationalen Projekten um die Welt: COUP FATAL (2014 &amp; 2019) mit Fabrizio Cassol, Rodriguez Vangama und Alain Platel (unter anderem beim Festival d’Avignon, TorinoDanza, Wiener Festwochen), REQUIEM POUR L mit Fabrizio Cassol und Alain Platel (unter anderem im Haus der Berliner Festspiele, Festival de Marseille, Théâtre National de Bruxelles, Schauspiel Leipzig), FESTIVAL PIANO DE KINSHASA (2023) besondere Auszeichnung als „Neuentdeckung“, ECOSYSTEM (2023) mit GROUP50:50 (Residenz Schauspiel Leipzig und Kaserne Basel), MBUTU MBUTU (2023) mit der Compagnie Ambassa (Centre Wallonie Bruxelles in Kinshasa und in Brüssel beim Charleroi Danse)</image:title>
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    <lastmod>2025-10-10</lastmod>
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      <image:title>d_bio - Jean Baptiste Ekaka - Jean Babtiste Ekaka (geboren 1989) ist Lehrer, Aktivist und Angehöriger der Mbuti Community von Bagoia im Regenwald von Ituri. Er setzt sich für die Rechte und Belange der indigenen Waldbewohner:innen ein. Er kam mit den Mitgliedern der GROUP50:50 in Kontakt, als diese für „The Ghosts are Returning“ in der Region Recherche betrieben. Seit 2023 ist er Teil des Kollektivs und spielt eine Hauptrolle in der Produktion „ECOSYSTEM“. Im begleitenden Diskurrsprogramm „The Time For Denial Is Over“ sprach er in verschiedenen Panels und Gesprächen immer wieder über die komplexe Lage im Nordosten der DR Kongo. Mit ECOSYSTEM war er in Deutschland, Österreich und der Schweiz zu sehen, unter anderem am Maxim Gorki Theater (Berlin), der Kaserne Basel, dem Théâtre Vidy-Lausanne und dem Voralberger Landestheater.</image:title>
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  <url>
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    <lastmod>2025-10-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/303f6080-6087-4232-9575-833bcb613920/franck.webp</image:loc>
      <image:title>d_bio - Franck Moka - Franck Moka lebt und arbeitet in Kisangani. Zwischen Klang, Musik, Video, Film und Installation erforscht er in seiner Arbeit die Beziehungen zwischen Menschen und ihrer Umwelt. Ende der 1990er Jahre begann er mit Rap und wurde zum Alter Ego von Pasnas, den er im Studio und auf der Bühne im Kongo, in Ruanda und in Europa begleitete. Als Autodidakt in Computermusik (M.A.O.) begann er bald, eigene Musik zu programmieren und Klangarbeiten zu entwickeln, bevor er seine Kenntnisse 2009 mit Flip und 2014 in Kisangani mit Smockey vertiefte. Als Performer wurde er von Faustin Linyekula ausgebildet und 2014 von Gael Teicher in die Filmkunst eingeführt. Seit mehreren Jahren komponiert er Musik für die Bühne und arbeitet mit Künstler*innen wie Dorine Mokha, Elia Rediger, Faustin Linyekula und Nelson Makengo zusammen. Daneben schreibt und realisiert er Videos, Filme und Klangstücke und arbeitet als Sounddesigner und Cutter. Seine Arbeiten – Performances, Konzerte, Klanginstallationen, Musik, Videos und Filme – wurden in Festivals und Ausstellungen gezeigt, unter anderem in Kisangani, Lubumbashi, Johannesburg (Plat4m), Düsseldorf, Berlin (HAU), Montréal (Vue d’Afrique), Rotterdam (IFFR) und Dakar (Dakar Court). Kürzlich komponierte er die Musik für Lisbon, my Lisbon, ein Theaterstück von Faustin Linyekula für das Teatro Nacional D. Maria II. Als assoziierter Künstler der Studios Kabako, deren künstlerischer Koordinator er seit 2021 ist, leitet er zudem das Art’gument Project, eine Plattform für künstlerische Forschung und Austausch, die er gemeinsam mit Dorine Mokha gegründet hat..</image:title>
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    <lastmod>2025-10-10</lastmod>
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      <image:title>d_bio - Huguette Tolinga Lola - Autodidaktische Singer-Songwriterin, Perkussionistin, Multiinstrumentalistin und Sängerin, Gründerin und künstlerische Leiterin des Hugembo Studios, lebt in Kinshasa. Geboren in Boende, begann sie ihre Karriere als Perkussionistin in Kinshasa in einer zeitgenössischen Tanzgruppe, der Compagnie Jacques Banayanga, bevor sie einen Abstecher zur Gruppe Quartier Latin machte. Im Jahr 2009 gründete sie ihre eigene Band, Huguembo, mit der sie regelmäßig im Kongo auftritt. Huguette arbeitet regelmäßig mit Theater- und Tanzkompanien zusammen. 2018 schloss sie sich dem Team von Not Another Diva... an – einer musikalischen Produktion der Südafrikanerin Hlengiwe Lushaba und von Faustin Linyekula. Sie trat unter anderem im Kaserne Basel in der Schweiz, im NTGent und im Bozar Brüssel in Belgien auf. In den Jahren 2018–2019 war sie Teil des Ensembles von Un fleuve dans le ventre – einem Text von Fiston Mwanza Mujila, inszeniert von Carina Riedl. 2019 war sie die Interpretin von Hercule de Lubumbashi, inszeniert von Elia Rediger und Dorine Moha. Im Jahr 2020 initiierte sie die erste Ausgabe des Festivals Jam Boom in Kinshasa – eine Plattform zur Entdeckung und Förderung junger kongolesischer Künstlerinnen und Künstler – mit Unterstützung des Goethe-Instituts. Neben der Komposition der Musik für Anthropos, inszeniert von Carina Riedl, markiert das Jahr 2022 auch Huguettes Teilnahme am Programm Il Ritorno dei Fantasmi in Palermo (Mai–Juni) in Zusammenarbeit mit dem Studio Rizoma und der Gruppe Groupe50:50, deren Mitglied sie ist, sowie am Laboratoire Kontempo – Kinzonzi in Berlin</image:title>
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      <image:title>d_bio - Ruth Kemna</image:title>
      <image:caption>studierte Viola und Angewandtes Theater in Hannover, London und Salzburg. Sie ist Bratschistin, Performerin und Theatermacherin. In ihrer künstlerischen Arbeit beschäftigt sie sich mit zeitgenössischer Musik, den Körpern von Musikern und Instrumenten und deren gesellschaftskritischer Rolle. Sie trat bei zahlreichen internationalen Festivals wie der Ruhrtriennale, dem Kammermusikfest Lockenhaus, dem Davos Festival, dem Heidelberger Frühling und Fusion auf. Sie war Solobratschistin der Hamburger Camerata und hatte einen Zeitvertrag mit der NDR Radiophilharmonie Hannover, spielte mit dem Klangforum Wien, Studio MusikFabrik Köln, Orchester im Treppenhaus, Ensemble Modern. Als Solomusikerin und Performerin begleitet sie die größte Turnshow Europas, das Feuerwerk der Turnkunst. Im Jahr 2020 war sie Teil des postkolonialen Bergbau-Oratoriums "Hercules de Lubumbashi" in der DR Kongo. Sie tourte bereits durch Länder in Europa, Südamerika, China, der DR Kongo und Südafrika. Derzeit lebt sie in Palermo, um neue Performances zu entwickeln, die sich mit der Grenze zwischen dem afrikanischen und dem europäischen Kontinent im Mittelmeerraum beschäftigen.</image:caption>
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  <url>
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    <lastmod>2025-10-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/a7727d85-7b25-478c-9057-45a1f9f63174/merveil.webp</image:loc>
      <image:title>d_bio - Merveil Ilunga Mukadi - Merveil Mukadi ist ein Komponist und Arrangeur kongolesischer Herkunft. Unter dem Künstlernamen MEMU bekannt, begann er im Alter von neun Jahren als Sänger im Synodenchor gemeinsam mit seinen Eltern. Später spielte er als Perkussionist und Schlagzeuger in verschiedenen Kirchen Afrikas. Aus Leidenschaft für Musik widmete er sich dem Erlernen weiterer Instrumente wie Klavier, Gitarre, Bass und Mundharmonika. Seine musikalische Erfahrung wuchs durch zahlreiche Begegnungen und gemeinsame Auftritte bei großen Konzerten. 2014 wurde er als Bassist in die Gruppe Manus aus Lubumbashi aufgenommen, die zu dieser Zeit für ihre großen Auftritte im Institut Français, im Centre Wallonie-Bruxelles in Lubumbashi und Kinshasa sowie im Kunstzentrum Waza unter der Leitung von Patrick Mudekereza bekannt war. In den Jahren 2017 und 2018 erhielt er ein Doppelstipendium in Belgien für Ausbildungen in Jazz, Komposition, Gospel und weiteren Musikrichtungen. Deutschland öffnete ihm schließlich die Türen als Bassist in „Hercule de Lubumbashi“, einer musikalischen Theaterproduktion von Elia Rediger und Dorine Mokha.</image:title>
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    <lastmod>2025-10-04</lastmod>
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      <image:title>d_bio - Isaac Yenga Lomami - Isaac Yenga Lomami studierte Philososphie und Recht und ist Produktionsleiter der Studios Kabako. Zwischen 2013 und 2015 war er Manager der Studios Kabako und später Produktionsassistent von Virginie Dupray. 2021 absolvierte er ein dreimonatiges Praktikum in der administrativen Abteilung der “Manège de Reims” (FR). Im selben Jahr wurde er Produktionleiter für die Studios Kabako und ist dort unter anderem für die Diffusion der Stücke von Faustin Linyekula verantwortlich. Seit 2023 ist er außerdem die kongolesische Produktionsleitung der GROUP50:50.</image:title>
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    <lastmod>2025-10-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/2ff487a0-ab86-488d-8e90-be25999bb7fd/sylvain+website+2.jpeg</image:loc>
      <image:title>d_bio - Sylvain Faye</image:title>
      <image:caption>Sylvain Faye wurde 1976 in Clermont-Ferrand geboren. Er verbrachte den größten Teil seiner Kindheit in afrikanischen Ländern, zu denen er noch immer eine enge Verbindung pflegt. Nach seinem Studium an der Kunsthochschule in Montpellier begann er 1998 eine Ausbildung zum Bildhauer und Steinmetz im Louvre in Paris. Parallel zu seiner Tätigkeit auf Baustellen zur Restaurierung historischer Denkmäler entdeckte er seine Leidenschaft für Theater und Bühnenbild und beschloss, sich in Marseille niederzulassen, um dies zu seinem Beruf zu machen. Seit 2008 lebt er in Berlin. Seitdem hat er an zahlreichen Projekten in verschiedenen Bereichen mitgewirkt, von der Bildhauerei über Szenographie bis hin zur Lichtgestaltung und zum Kino. Er arbeitete unter anderem mit bildenden Künstlern (Olafur Eliasson, Sofia Hulten, Pae White), Regisseuren (Hélène Soulié, Franck Dimech, Stéphane Braunschweig, Milo Rau, Eva-Maria Bertschy) und Künstlerkollektiven (Performing Group, Familie Flöz, GROUP50:50) zusammen. Parallel zu seinen künstlerischen Aktivitäten hat er sich auf die technische Leitung von Theaterproduktionen spezialisiert und ist damit unter anderem für Institutionen wie die Neuköllner Oper in Berlin tätig.</image:caption>
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      <image:title>d_bio - Luca Maier</image:title>
      <image:caption>Luca Maier (geboren 1996 in Berlin) arbeitet als freie Dramaturgin, Regieassistenz und Übersetzerin. Nach ihrem Studium an der BURG Halle (Kommunikationsdesign) gelangte sie durch einen längeren Aufenthalt in Marseille in die interkulturelle Kulturarbeit. Gemeinsam mit der Autorin Julie Guigonis und dem Kollektiv Copines realisierte sie von 2020 bis 2025 Theaterproduktionen, Radiosendungen und Hörspiele auf Deutsch und Französisch. Im Theater gilt ihre Leidenschaft so sehr der präzisen Recherche wie dem großen Klamauk. Seit 2022 arbeitet sie als Assistenz der künstlerischen Leitung und der Produktion für die GROUP50:50.</image:caption>
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    <loc>https://www.group5050.net/d-bio/tag/f</loc>
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  </url>
  <url>
    <loc>https://www.group5050.net/d-bio/tag/bio</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.group5050.net/d-bio/tag/mitglieder</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.group5050.net/e-bio</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-29</lastmod>
  </url>
  <url>
    <loc>https://www.group5050.net/e-bio/kojackkossakamvwe-tpl77-834ab-zcf4c-xhnez</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/373f0741-2aa5-4d49-9f42-8aa610bdc674/Kojack.jpg</image:loc>
      <image:title>e_bio - Kojack Kossakamvwe</image:title>
      <image:caption>Kojack Kossakamvwe has played in many bands and projects with stars of the Congolese music scene, including Kwata Vibra (1998), Wenge Musica Maison Mère (2000-2003) and as musical director with Papa Wemba for La passion du maître (2015). He has performed in many major musical projects such as Losangania Project (2009) and Basali ya buzoba (2010) and has toured with Elie Kamano and Maryse Ngalula for Visas pour la création (2013) and Franco na biso (2014). From 2018 to 2020, he toured the world with Requiem Pour L. – under the direction of Fabrizio Cassol and Alain Platel – together with musicians from all five continents. In 2019, he was part of the ensemble of Herkules von Lubumbashi – Ein Minenoratorium. Since 2021, he has been musical co-director of GROUP50:50 and the two music theatre productions The Ghosts are Returning (2022-2023) and Ecosystem (2023-2025). In January 2024, he appeared as a guitarist in the opera production Justice by Swiss director Milo Rau at the Grand Théâtre de Genève and in St. Pölten. At the same time, he worked as musical director with Swiss director Eva-Maria Bertschy on her production Fremde Seelen. Kojack Kossakamvwe has also performed as a musician at the Leipzig Jazz Days, the Moers Jazz Festival and Bee-Flat Bern.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.group5050.net/e-bio/eva-mariabertschy-mr5tt-ygf26-zhrj7-3ex7z</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/7ccd000d-baf1-4017-a410-097d78958f7e/015_BLS_28-29giu_Boccaccino_BOC5779.jpg</image:loc>
      <image:title>e_bio - Eva-Maria Bertschy - FOUNDING MEMBER Eva-Maria Bertschy works as a freelance dramaturge, director and playwright. Since 2012, she has conceived and realized international theatre and documentary film projects with Swiss director Milo Rau and the IIPM. At the same time, she has worked regularly with the director Ersan Mondtag from Berlin. In 2021, she founded GROUP50:50 with Swiss musician Elia Rediger, Congolese choreographer Dorine Mokha and curator Patrick Mudekereza. With this Congolese-Swiss collective, she developed a multi-layered political project comprising the two music theatre pieces The Ghosts Are Returning and Ecosystem and the discourse series The Time For Denial Is Over. In 2019, she moved to Palermo and co-founded Fondazione Studio Rizoma, a production structure for transnational political and artistic projects based in Palermo. Together with the Rizoma team, she co-curated three editions of the Between Land and Sea festival, which takes place in Palermo and the port cities of Tunis and Bremen since 2021. In 2024, she realized her first solo piece, Fremde Seelen / Âmes étrangères, with which she returned to Switzerland.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.group5050.net/e-bio/patrickmudekereza-5fsfb-8p5wr-xnw6p-gnxzc</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/8c848354-3d18-464e-9990-9312b4f63123/_A7R5790.jpeg</image:loc>
      <image:title>e_bio - Patrick Mudekereza - FOUNDING. MEMBER</image:title>
      <image:caption>Patrick Mudekereza is a writer and curator. He is the founder and artistic director of the Centre d'art Waza, a unique independent art centre in Lubumbashi. He co-founded and directed the first three editions of Rencontres Picha, Biennale de Lubumbashi (2008-2015). He participated in the foundation and was part of the board of the International Biennial Association. He curated exhibitions such as Prise de Terre (GEOgraphics, Bozar, Brussels 2010), Close Openings/Vernissage Fugaces (Lubumbashi, 2011), Mining Lubum (VANSA, Johannesburg, 2015), Silimuka (part of the ChinAfrika under construction project, Museum für Gegenwartskunst GfZK, Leipzig, 2017), Aire d'oiseaux imaginaires (Congo Biennal, Kinshasa, 2019, and Bogardenkapel Brugge, 2019). The project and accompanying publication Revolution Room (2013-2016) won the African Architecture Award in the Critical Dialogue category (Zeitz MOCAA, Cape Town, 2017). In 2016 Mudekereza received the Congolese National Prize for Art and Culture and in 2017 the Medaille Art Lettre et Sciences. He teaches at the Universities of Lubumbashi and Witwatersrand.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.group5050.net/e-bio/eliarediger-e9jkk-hcaj2-6reyh-wldt5</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/dbf31d48-0cff-4d00-b85c-fa85cb19864e/DSC_3038_websize.jpg</image:loc>
      <image:title>e_bio - Elia Rediger - FOUNDING MEMBER</image:title>
      <image:caption>Elia Rediger, born 1985 in Kinshasa (DRC), is a Swiss artist, artistic director, composer, writer and singer. In addition to orchestral compositions (Oh Albert, 2016, Basel), he was an in-house writer at the Konzert Theater Bern (2016/2017), frontman of the pop group The Bianca Story and the big band orchestra Brigade Futur 3. At Deutsche Oper Berlin he directs the music theater format Macht der Künste / Aus dem Hinterhalt. Hercules of Lubumbashi – Ein Minenoratorium was his second collaboration with the Congolese choreographer Dorine Mokha after the play Oh Boyoma – 387 verses about a forgotten city (Konzert Theater Bern 2017). In 2020, Mokha and Rediger founded GROUP50:50 together with the Congolese curator Patrick Mudekereza and the Swiss dramaturge Eva-Maria Bertschy. After Dorine Mokha's sudden death in 2021, they decided to continue GROUP50:50's mission and joined forces with Christiana Tabaro and Michael Disanka for a new production.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.group5050.net/e-bio/michaeldisanka-2tyfn-5cte5-pj7r7-ah5tw</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/c17ac420-33da-47f1-8a88-6caf4b956649/IMG_6536.jpg</image:loc>
      <image:title>e_bio - Michael Disanka</image:title>
      <image:caption>MIchael Disanka is an actor, director and writer. After studying at the Institut National des Arts in Kinshasa, he founded the Collectif d'Art d'Art together with Christiana Tabaro. In 2012, he met the Congolese playwright Dieudonné Niangouna and worked with him on theatre productions that were presented at Connexion Kin 2012-2013, Mantsina sur scène (Brazzaville, 2012), and Theaterformen (Hanover, 2013), among others. He has also been working on his own texts for several years, especially the project Diseurs de textes, a performance reading project. The texts 31 May 2012 and La Poupoupète were staged by Dieudonné Niangouna in 2012. In 2021Disanka became a member of GROUP50:50.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.group5050.net/e-bio/christianatabaro-gaptr-3dat4-p5tbd-xgjjn</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/2c985172-338b-4f94-b61a-a0e9e6f40176/220922_group50_50_019_5239_diesner-scaled.jpg</image:loc>
      <image:title>e_bio - Christiana Tabaro - Mach es besonders</image:title>
      <image:caption>Was auch immer es ist – die Art und Weise, wie du deine Geschichte online vermittelst, kann einen gewaltigen Unterschied ausmachen.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.group5050.net/e-bio/jospehkasau-c3stz-e6xkb-wPld2-geb72</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/1655325046354-JIIRX43WPP16ZXQ869YX/joseph-kasau-1-768x1068.jpg</image:loc>
      <image:title>e_bio - Joseph Kasau</image:title>
      <image:caption>Born in Lubumbashi in 1995, Joseph K. Kasau Wa Mambwe is a visual artist, filmmaker and author based in Lubumbashi. He holds a degree in Information and Communication Sciences from the University of Lubumbashi, specialising in Performing Arts (Audiovisual, Cinema and Theatre).His passion for art started very early in Lubumbashi's cinemas, and was nourished by multiple visual influences that later formalised in his artistic practice, which is situated at the intersection of cinema, video art, photography, creative writing and addresses in his work the complexity of memory and identity in a postcolonial urban context. He is a fellow of the Trame 2022 residency at the Cité Internationale des Arts in Paris, of the Delfina Foundation residency programme in England on food politics, of the Tri-continental Quilombo project (DRC - SWITZERLAND - BRAZIL) from 2021 to 2023. Kasau Wa Mambwe also works as a Fixer, Assistant Director, Editorial Assistant and as a Communication Officer for African and Western structures and collectives, among others Les Films de la Passerelle (Belgium), the Lubumbashi Biennale (2019), Museum of Tervuren (Belgium), PODIUM Esslingen (Germany) and GROUP50:50 (DRC - SWITZERLAND - Germany).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.group5050.net/e-bio/dorinemokha-xrdhh-m5hx8-egxby-2xl6l-pz3e2-g55ry</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/357e4c60-09bb-45a8-abc1-88f7cfe05125/dorine.webp</image:loc>
      <image:title>e_bio - Dorine Mokha (✝)</image:title>
      <image:caption>Dorine Mokha was born in 1989 in Lubumbashi in the Democratic Republic of Congo and was a dancer, choreographer and author. In addition to his artistic activities, Mokha earned degrees in literature and law. He worked at Studios Kabako, among others, where he dealt with contemporary dance, script and direction. He participated in the festival Theaterformen in Hanover and received a scholarship from the Akademie Schloss Solitude in Stuttgart in 2014. "Hercules of Lubumbashi" was the second collaboration between Mokha and Rediger after their 2017 play "Oh Boyoma". Dorine Mokha passed away on 8 January 2022 in his hometown of Lubumbashi.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.group5050.net/e-bio/dorinemokha-xrdhh-m5hx8-egxby-2xl6l-wzheg</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/1412513e-9b7c-4ae8-bda3-7921e171f1d5/52835636592_c04e135e85_c.jpg</image:loc>
      <image:title>e_bio - Camille Jamet - Camille Florence Jamet is a creative producer and curator. She studied Scenography (BA) in Zurich and Contemporary Art Theory (MA) in London. Since 2018, she has been developing and producing transdisciplinary projects at the intersection of performance, music, and visual culture. She co-curated and produced Aggregates, an exhibition and performance series exploring fluidity, materiality, and collective experience across artistic disciplines, presented at Raven Row in London and Ausstellungsraum Klingental in Basel. As the founder of HERproductions, she collaborates with international artists and institutions to realise hybrid performance formats and theatre productions, including but not limited to Campobello by Eva-Maria Bertschy, Iyagbon’s Mirror by Onyrikon, and Silent Touch, Agility of Fear by Natascha Moschini. Since 2023, she has been working as a producer for Group 50:50. She lives and works between Zurich and London.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.group5050.net/e-bio/isaacyenga-gaptr-83atn-6dw2g-zcyyl-p4kde-3nljy-dnyn6</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/da81a75f-f298-468d-8ec5-2206b406ff3c/IMAGE+2025-10-10+09%3A35%3A26+2.jpg</image:loc>
      <image:title>e_bio - Austin Nortey - Mach es besonders</image:title>
      <image:caption>Was auch immer es ist – die Art und Weise, wie du deine Geschichte online vermittelst, kann einen gewaltigen Unterschied ausmachen.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.group5050.net/e-bio/edwigedro-gaptr-83atn-6dw2g-zcyyl-p4kde-3nljy-dnyn6-kcxc4</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/87dd3d40-1694-47d5-a11f-d3d6cf330d3b/IMAGE+2025-10-10+09%3A35%3A23+2.jpg</image:loc>
      <image:title>e_bio - Edwige Dro - Mach es besonders</image:title>
      <image:caption>Was auch immer es ist – die Art und Weise, wie du deine Geschichte online vermittelst, kann einen gewaltigen Unterschied ausmachen.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.group5050.net/e-bio/percyniinortey-gaptr-83atn-6dw2g-zcyyl-p4kde-3nljy-zct5g</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/43dced38-8c85-47ce-acea-12b5d96e530d/IMAGE+2025-10-10+09%3A35%3A19+2.jpg</image:loc>
      <image:title>e_bio - Percy Nii Nortey - Mach es besonders</image:title>
      <image:caption>Was auch immer es ist – die Art und Weise, wie du deine Geschichte online vermittelst, kann einen gewaltigen Unterschied ausmachen.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.group5050.net/e-bio/jbekaka-gaptr-83atn-6dw2g-zcyyl-lm92h-8kh2g</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/eb5053da-c085-4267-9311-86635c0e90ff/jb_NEU+2.jpg</image:loc>
      <image:title>e_bio - Jean Babtiste Ekaka - Mach es besonders</image:title>
      <image:caption>Was auch immer es ist – die Art und Weise, wie du deine Geschichte online vermittelst, kann einen gewaltigen Unterschied ausmachen.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.group5050.net/e-bio/christianatabaro-gaptr-83atn-6dw2g-dse3k-dfwpt-2kfpy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/3538bb46-09db-4e9f-9f42-364c76624d67/ecosystem_02%281%29+2.jpg</image:loc>
      <image:title>e_bio - Stany Kalanda - Mach es besonders</image:title>
      <image:caption>Was auch immer es ist – die Art und Weise, wie du deine Geschichte online vermittelst, kann einen gewaltigen Unterschied ausmachen.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.group5050.net/e-bio/christianatabaro-gaptr-83atn-6dw2g-dse3k-lx4a8</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/b7f43f21-26aa-4e47-85b8-3eb5cee5338d/Dekoloniale+%2724_day2-102%281%29+2.jpg</image:loc>
      <image:title>e_bio - Dieu Le Veut Sumba - Mach es besonders</image:title>
      <image:caption>Was auch immer es ist – die Art und Weise, wie du deine Geschichte online vermittelst, kann einen gewaltigen Unterschied ausmachen.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.group5050.net/e-bio/huguettetolinga-e3mnc-yx4ey</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/9fb545fb-05d9-44ab-aff9-00f5f064368b/DSC_3263_websize+3.jpg</image:loc>
      <image:title>e_bio - Huguette Tolinga</image:title>
      <image:caption>Self-taught songwriter, percussionist, multi-instrumentalist and singer, founder and artistic director of Hugembo Studio, lives in Kinshasa. She was born in Boende and started her career as a drummer in Kinshasa in a contemporary dance group, Compagnie Jacques Banayanga, before doing a stint with the Quartier Latin group. In 2009, she formed her own group, Huguembo, with whom she has performed regularly in Congo. Huguette regularly collaborates with theatre and dance. In 2018, she joined the team of Not Another Diva.... a musical creation of South African Hlengiwe Lushaba and Faustin Linyekula. She has performed at venues including Kaserne Basel in Switzerland, NTGent and Bozar Brussels in Belgium. In 2018-2019 she was part of the team of Un fleuve dans le ventre - a text by Fiston Mwanza Mujila directed by Carina Riedl - with whom she reunited in 2022 for the production of the text Anthropos Tyrann by Alexander Eisenach with Teatro di Bolzano in Italy. In 2019, she is a performer for Hercules de Lubumbashi directed by Elia Rediger and Dorine Moha, Elia whom she will reunite with in September 2022 for a new project Le Retour des Fantômes. In 2020, with the support of the Goethe-Institut, she initiates the first edition of the Jam Boom festival in Kinshasa, a platform for the discovery and training of young Congolese artists. In 2021, she is part of a composition and improvisation programme run by Guerilla Classics as part of the Yango Biennale in Kinshasa. In addition to creating the music for Anthropos, directed by Carina Riedl, 2022 marks Huguette's participation in the programme Il Ritorno dei Fantasmi in Palermo (May-June), in collaboration with Studio Rizoma and Groupe50:50, of which she is a member, and in the Laboratoire Kontempo - Kinzonzi in Berlin (May).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.group5050.net/e-bio/franckmoka-kk849-jadea</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/858ac0f0-f461-4c8b-ae2e-5005ebde2f0f/DSC_2741_websize.jpg</image:loc>
      <image:title>e_bio - Franck Moka</image:title>
      <image:caption>Franck Moka lives and works in Kisangani. With his work in sound, music, video, film and installation, he questions the relationship between humans and the environment. He started rapping in the late 90s and became the alter ego of Pasnas, whom he accompanied in the studio and on stage in Congo, Rwanda and Europe. Self-taught, he began programming his own music and developing sound works before continuing his training with Flip in 2009 and Smockey in Kisangani in 2014. As a performer and actor, he trained with Faustin Linyekula. He was introduced to cinematography by Gael Teicher in 2014. For several years he has been composing for the stage, for himself and collaborating with other artists such as Dorine Mokha, Elia Rediger, Faustin Linyekula or for the screen with Nelson Makengo. Franck is a writer and director of videos, films and sound pieces and also works as a sound designer and editor. His work - performances, concerts, sound pieces or installations, music, videos, films - has been shown at festivals and exhibitions around the country, mainly in Kisangani and Lubumbashi, where he has often developed them, in Johannesburg (Plat4m), Düsseldorf, Berlin (HAU) and recently in Montreal (Vue d'Afrique), Rotterdam (IFFR) and Dakar (Dakar court). He recently composed the music for "Lisbon, my Lisbon", a play by Faustin Linyekula for the Teatro Nacional D. Maria II. He is "artist associé" at Kabako Studios, where he is also artistic coordinator since 2021. Franck directs the Art'gument Project, an institution dedicated to artistic research and exchange, which he founded with Dorine Mokha. He regularly leads workshops in Kisangani and in Lubumbashi.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.group5050.net/e-bio/ruthkemna-6kkbk-re24y</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/4f280204-6fa2-4727-b0af-555fae97bba9/DSC_2700_websize.jpg</image:loc>
      <image:title>e_bio - Ruth Kemna</image:title>
      <image:caption>studied Viola and Applied Theatre in Hannover, London and Salzburg. She is a violist, performer and theatre maker. Her artistic work deals with contemporary music, the bodies of musicians and instruments and the socially critical roles they can play. She has performed at numerous international festivals such as the Ruhrtriennale, Kammermusikfest Lockenhaus, Davos Festival, Heidelberger Frühling, Fusion. She was principal violist of the Hamburger Camerata and had a temporary contract with the NDR Radiophilharmonie Hannover, played with Klangforum Wien, Studio MusikFabrik Köln, Orchester im Treppenhaus, Ensemble Modern. As a solo musician and performer she accompanies the biggest gymnastics show in Europe, the Feuerwerk der Turnkunst. In 2020 she was part of the post-colonial mining oratorio "Hercules de Lubumbashi" in DR Congo. She has toured through countries in Europe, South America, China, DR Congo and South Africa. She is currently living in Palermo to develop new performances dealing with the border between the African and European continents in the Mediterranean.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.group5050.net/e-bio/isaacyenga-gaptr-83atn-6dw2g-zcyyl-p4kde-lj3g6</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/628e05e9a34ae81c707f074c/f06befae-930d-40fb-b893-2aa0ffe0fedf/merveil.webp</image:loc>
      <image:title>e_bio - Merveil Mukadi - Mach es besonders</image:title>
      <image:caption>Was auch immer es ist – die Art und Weise, wie du deine Geschichte online vermittelst, kann einen gewaltigen Unterschied ausmachen.</image:caption>
    </image:image>
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  <url>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>e_projects - WAX TRADERS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>e_projects - WAX ENCOUNTERS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>e_projects - The Time For Denial Is Over - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>f_projects - The Time For Denial Is Over – Lubumbashi - Mach es besonders</image:title>
      <image:caption>Was auch immer es ist – die Art und Weise, wie du deine Geschichte online vermittelst, kann einen gewaltigen Unterschied ausmachen.</image:caption>
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